• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
October 6 -28

Exhibition - Ugly Duckling Presse: 25th Anniversary Celebration

performances
October 18

Formations Series for New & Improvised Music

readings & workshops
October 20

Poetry Reading: Soham Patel and Lauren Russell 

readings & workshops
October 25

Poetry Reading: Urban Echo Poets + Open Mic

readings & workshops
October 28

Poetry Reading: Kathleen A. Dale, Louisa Loveridge Gallas, Judith Harway, and Bill Murtaugh

special events
November 17

We Exist to Prove the Living Artist: 38th Anniversary Gala

readings & workshops
November 30

Poetry Reading: Anna Vitale and Daniel Owen

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

Archived film & video
Dec 4 Friday, December 4
7:00pm, Give What You Can

 

Microlights Cinema serves as a venue for screening experimental, underground, avant-garde, aprés-garde, and otherwise strange, beautiful, and unusual film//video works. 

 

THE DAY OF TWO NOONS

Mike Gibisser | US | 2012 | 67m

color/b&w | sound | 16mm on video

 

An experimental essay regarding alterations in the progression of time. Space shrinks by collapsing the duration it takes for a body to traverse it—or a mind. A railroad redesigns the temporal system of a nation. A man photographs a horse. A woman hallucinates the past.

 

Weaving together portraiture, travelogue, and landscape The Day of Two Noons uses shifts in space, subject, and historical circumstance to investigate standardized time as a process of experiential normalization. Exploring the context in which a cultural experience of time is developed, an outline is formed of experiences that do and do not fit within such a standard. The film attempts a diagnostic on the nervous system of a country.

 

With additional shorts TBD.


Mike Gibisser is a filmmaker and artist interested in navigating the indefinite lines between essay, narrative, experimental, and documentary work, often drawing together disparate subjects or time periods. He is currently an Assistant Professor in the Department of Cinematic Arts at the University of Iowa.