1:00pm, $200 | $185 for members of either WPBC or Lynden Sculpture Garden
A Conversation with Nicholas A. Brown & Sarah E. Kanouse, authors of
Re-Collecting Black Hawk: Landscape, Memory, and Power in the American Midwest
The name Black Hawk permeates the built environment in the upper Midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to “Black Hawk,” surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly one hundred and seventy original photographs are presented and juxtaposed with texts that reveal and complicate the significance of the imagery. Contributors include tribal officials, scholars, activists, and others including George Thurman, the Principal Chief of the Sac and Fox Nation and a direct descendant of Black Hawk. These image-text encounters offer visions of both the past and present and the shaping of memory through landscapes that reach beyond their material presence into spaces of cultural and political power. As we witness, the evocation of Black Hawk serves as a painful reminder, a forced deference, and a veiled attempt to wipe away the guilt of past atrocities. Re-Collecting Black Hawk also points toward the future. By simultaneously unsettling and reconstructing the Midwestern landscape, Re-Collecting Black Hawk envisions new modes of peaceful and just coexistence and suggests alternative ways of inhabiting the landscape.
Nicholas A. Brown is a scholar and artist based in Iowa City. He teaches in the American Indian and Native Studies Program and the Department of Geographical and Sustainability Sciences at the University of Iowa. His research focuses on land, justice, settler colonialism, and the politics of indigeneity in the Great Lakes and Alberta–Montana borderlands.
Sarah E. Kanouse is an interdisciplinary artist examining landscape, public space, and cultural memory. Her research-based creative work takes many forms, including web platforms and multimedia, print materials, group events, and audio-visual projects. Her critical essays have been published in the Journal of Aesthetics and Protest, Leonardo, Acme, and Art Journal, and she is a core collaborator with Compass. An associate professor of art at the University of Iowa, she teaches courses in video and time-based media, and art and ecology.