• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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special events
April 21

Join us for the 13th annual RIVERWEST FOLLIES variety show

performances
April 22

ACL presents Renee Baker Quartet, Visual Dark Scratch Suite

exhibitions
April 22

Woman: Frailty Thy Name, works by Renee Baker

readings & workshops
April 25

Reading: Toni Jensen

readings & workshops
April 26

Four Milwaukee Poets: Alix Anne Shaw with Annie Grizzle, Sam Pekarske & Bethany Price

readings & workshops
April 28

Wisconsin Reads: Reading with Louise Erdrich (video streamed to Woodland Pattern)

readings & workshops
May 2

Poetry Reading: Rena Priest and Denise Low

readings & workshops
May 2

Craft Talk with Denise Low at UWM

readings & workshops
May 10

Birds in Poetry at Urban Ecology Center

performances
May 13

Alternating Currents Live presents: The Transatlantic Bridge #11

readings & workshops
May 16

Kundiman Midwest Chapbook Series Noel Pabillo Mariano

performances
May 17

Formations Series for New & Improvised Music

readings & workshops
May 24

Poetry Reading: Urban Echo Poets

performances
June 3

ACL presents: Tom Hamilton & City of Vorticity

Archived readings & workshops
Apr 24 Sunday, April 24
7:00pm, $6 members | $7 students/seniors | $8 general

A Conversation with Nicholas A. Brown & Sarah E. Kanouse, authors of

Re-Collecting Black Hawk: Landscape, Memory, and Power in the American Midwest

The name Black Hawk permeates the built environment in the upper Midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to “Black Hawk,” surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly one hundred and seventy original photographs are presented and juxtaposed with texts that reveal and complicate the significance of the imagery. Contributors include tribal officials, scholars, activists, and others including George Thurman, the Principal Chief of the Sac and Fox Nation and a direct descendant of Black Hawk. These image-text encounters offer visions of both the past and present and the shaping of memory through landscapes that reach beyond their material presence into spaces of cultural and political power. As we witness, the evocation of Black Hawk serves as a painful reminder, a forced deference, and a veiled attempt to wipe away the guilt of past atrocities. Re-Collecting Black Hawk also points toward the future. By simultaneously unsettling and reconstructing the Midwestern landscape, Re-Collecting Black Hawk envisions new modes of peaceful and just coexistence and suggests alternative ways of inhabiting the landscape.


Nicholas A. Brown is a scholar and artist based in Iowa City. He teaches in the American Indian and Native Studies Program and the Department of Geographical and Sustainability Sciences at the University of Iowa. His research focuses on land, justice, settler colonialism, and the politics of indigeneity in the Great Lakes and Alberta–Montana borderlands.

 

Sarah E. Kanouse is an interdisciplinary artist examining landscape, public space, and cultural memory. Her research-based creative work takes many forms, including web platforms and multimedia, print materials, group events, and audio-visual projects. Her critical essays have been published in the Journal of Aesthetics and Protest, Leonardo, Acme, and Art Journal, and she is a core collaborator with Compass. An associate professor of art at the University of Iowa, she teaches courses in video and time-based media, and art and ecology.