• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
August 25 - Oct 1

Exhibition: Vicki, with an i, organized by Michelle Grabner

special events
August 30

Milwaukee Shines: Solar Group Buy

special events
September 8 -10

Indian Summer Festival: Language is Culture

readings & workshops
September 17

Poetry Reading & Talk: Julie Carr

readings & workshops
September 28

Poetry Reading: Stacy Blint, Rebecca Eland & Mark Tardi

readings & workshops
October 5

Poetry Reading: Feliz Lucia Molina

exhibitions
October 11

Exhibition: Jen Bervin, Tactile Lanuguage

Archived performances
Nov 13 Sunday, November 13
6:00pm, FREE

 

Khari B. — voice

Magic Malik — flute, voice

Guillaume Orti — saxophones

Jeb Bishop — trombone

Frédéric Bargeon Briet — double bass

Tim Daisy — drums, trombone

 

Like all the assemblies of musicians put forward by The Transatlantic Bridge, this formation is a story of merging forces, a story born of desire and first encounters. Thus, Frédéric Bargeon-Briet and Guillaume Orti have spent much time together in the Hask collective in the 90s. With Nimbus, Briet’s polyvalent ensemble, the double bass player has made sure to include the saxophonist/flute player Magic Malik (who has also collaborated with Orti). Briet, during a trip to the US in 2012, met Jeb Bishop in Chicago, with whom he later collaborated in the ensemble Bonadventure Pencroff. Khari B., son of the saxophone and clarinet player Mwata Bowden, was recently elected chairman of the AACM. All this makes Briet say: “In this orchestra, the trajectories of each musician are like rays of light converging to the focal point of a magnifying lens. After the first concert at Sons d’hiver, once we have exchanged the first notes, texts, and words, we will have gone through the lens to discover and travel a sublimed dimension different from the one we are familiar with. We will be on both sides of the looking glass, observing and being observed.”

 

—Alexandre Pierrepont, 2016