• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
«
»
exhibitions
September 12 - Oct 3

Exhibition: Diana Barrie and Pamela Barrie

readings & workshops
September 26

Poetry Reading: Peter Gizzi

readings & workshops
October 3

Poetry Reading: Joshua Beckman

readings & workshops
October 6

Ugly Duckling Presse: 25th Anniversary Celebration

exhibitions
October 6 - Sep 28

Exhibition - Ugly Duckling Presse: 25th Anniversary Celebration

performances
October 7

Alternating Currents Live: Tandem Trio

readings & workshops
October 7

Writing in the Fold: A Bookmaking & Writing Workshop with Matvei Yankelevich

readings & workshops
October 10

Community Reading: An Evening with the Wednesday Writers

readings & workshops
October 11

Poetry Reading: Tom Pickard and Mike Hauser

readings & workshops
October 12

Alms for the Bored Book Release + Cheap Wine Potluck

readings & workshops
October 14

Poetry Reading: Ken Taylor and J. Peter Moore

performances
October 18

Formations Series for New & Improvised Music

readings & workshops
October 20

Poetry Reading: Soham Patel and Lauren Russell 

readings & workshops
October 25

Poetry Reading: Urban Echo Poets + Open Mic

readings & workshops
October 28

Poetry Reading: Kathleen A. Dale, Louisa Loveridge Gallas, Judith Harway, and Bill Murtaugh

readings & workshops
November 30

Poetry Reading: Anna Vitale and Daniel Owen

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

Archived exhibitions
Nov 13 November 13 - January 31
7:00pm, Give What You Can

“Sanders has been an astonishing and fertile presence in our cultural and political landscape… But it is Sanders’s poetry, more than anything else he does, that pulls together all the varied strands of his interests to weave them into the body of one of our century’s most coherent poetics.”—Andrei Codrescu

"THE GLYPH HAS ALWAYS been of great importance to me. For me, a Glyph is a drawing that is charged with literary, emotional, historical or mythic and poetic intensity. [When I was young I was stunned by the Zen rock garden at the Nelson Art Gallery in Kansas City. The rock gardens of Kyoto, when I studied them later in books, seemed like living hieroglyphs. After I came to New York City in 1958, I again was stunned by the Egyptian art at the Metropolitan Museum. The hieroglyphs on the tomb walls and in the papyri also seemed almost alive.]

When I was in jail writing Poem from Jail in the summer of 1961, [after attempting to swim out and board a Polaris Submarine as an anti-war protest,] I drew Egyptian hieroglyphic study cards, with the hieroglyph on one side, and the English translation on the back. Later, in the fall of 1961, I studied Egyptian at the New School, and one evening I read John Cage's Silence, in which the line breaks and the placing of multiple columns of lines on the same page seemed "glyphic." After that, my poetic life was never the same. The Glyph -- visual elements in poetry -- came to mean what Matisse was seeking when he sat in his wheel chair with long bladed scissors cutting the paper shapes for his cutouts. I began using Glyphs in my poetry, starting in 1962 up to the present." -- Edward Sanders


Poet, activist, musician, and inventor of musical instruments, Ed Sanders, is the author of many books of poetry and prose, including the bestselling Charles Manson exposé, The Family (Da Capo, 2002); the multi-volume epic poem, America: A History in Verse (Black Sparrow Press); and the American Book Award winning Thirsting for Peace in a Raging Century: Selected Poems 1961-1985 (Coffee House Press, 2009). In the 1960s, Sanders co-founded the avant-garde rock band the Fugs, opened the Peace Eye Bookstore, and appeared on the cover of Life magazine. From 1962 until 1965, Sanders hand-mimeographed Fuck You/A Magazine of the Arts, whose contributors included: Allen Ginsberg, Andy Warhol, Diane Wakosi, Ted Berrigan, and Jackson Mac Low. He published the Woodstock Journal from 1995 to 2003. He lives in Woodstock, New York, with his wife, Miriam.