• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
August 25 - Oct 1

Exhibition: Vicki, with an i, organized by Michelle Grabner

performances
September 21

Formations presents Steve Nelson-Raney & Binder-Mollerskov-Schlei-Westfahl

film & video
September 22

aCinema: // In Silence Arrives the Tempest // Waiting on Paradise //

exhibitions
September 23 -23

Reception: Vicki with an i, organized by Michelle Grabner

readings & workshops
September 28

Poetry Reading: Stacy Blint, Rebecca Eland & Mark Tardi

readings & workshops
September 30

100 Thousand Poets for Change MKE

readings & workshops
October 5

Poetry Reading: Feliz Lucia Molina

exhibitions
October 11

Exhibition: Jen Bervin, Tactile Lanuguage

readings & workshops
October 12

Offsite Event: Justice for All: Selected Writings of Lloyd A. Barbee

readings & workshops
October 13

Poetry Reading: Caitlin Scarano, Paula Carter & Freesia McKee

performances
October 22

Alternating Currents Live: Tom Rainey & Devin Drobka Percussion Duo

readings & workshops
October 26

Urban Echo Poets

special events
November 3

Join us on Friday, November 3rd for our 37th Annual Anniversary Gala!

 

readings & workshops
November 8

Poetry Reading: Matt Cook

Robert Adamson

Born in 1943, Robert Adamson lives with his partner, photographer Juno Gemes, on the Hawkesbury River to the north of Sydney in Australia. Over the past five decades he has produced twenty books of poetry. He has been awarded the Christopher Brennan Prize for lifetime achievement, the Patrick White Award, and The Age Book of the Year Award for The Goldfinches of Baghdad (Flood Editions, 2006). His most recent book is Net Needle (Flood Editions, 2015). He currently holds the Chair in Poetry at the University of Technology, Sydney.

Selected Poems

Listening to Cuckoos

                                     Two unchanging notes; to us, words—always those high
elongated notes. Red-eyed          koels with feathered earmuffs,

downward-ending notes that pour                                 through a falling of night
coming              over the distances, words that don't change.

The two notes remain, a split phrase, two words
meaning, not exactly a self—not quite, the first day of spring.

The moment of utterance, candour becomes
the piercing, whistled syllables. Penetrating the dark green

of twilight, the storm birds call, two notes, two words,
and cackle in the broken-egged dawn, in the echoing light.

 

Summer

after Georg Trakl

A pallid cuckoo calls in a loop
more insistently as afternoon fades.

In garden beds humid air
clings to the stalks of poppies.

Mosquitoes rise from layers
of leaves under grapevines.

A blue shirt sticks to your back
as you climb the ladder.

Thunder rattles a fishing boat's
canopy in the dry dock.

The storm silences crickets
chirruping under the mangroves.

Turbulence has passed.
A candle lights our dark room.

Outside, calm, a starless night—
then the flame is extinguished,

pinched between a finger
and thumb. In the eaves, at nest,

swallows rustle. You believe
the swallows glow in the dark.

Light daubs our skin with shapes—
the crushed petals of red poppies.

 

Garden Poem

for Juno

Sunlight scatters wild bees across a blanket
of flowering lavender. The garden

grows, visibly, in one morning—
native grasses push up, tough and lovely

as your angel's trumpets. At midday
the weather, with bushfire breath, walks about

talking to itself. A paper wasp zooms
above smooth river pebbles. In the trees

possums lie flat on leafy branches to cool off,
the cats notice, then fall back to sleep.

This day has taken our lives to arrive.
Afternoon swings open, although

the mechanics of the sun require
the moon's white oil. Daylight fades to twilight

streaking bottlebrush flowers with shade;
a breeze clatters in the green bamboo and shakes

its lank hair. At dinnertime, the French doors present us
with a slice of night, shining clear—

a Naples-yellow moon outlines the ridges
of the mountains—all this, neatly laid out

on the dining room table
across patches of moonlight.