• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
October 6 -28

Exhibition - Ugly Duckling Presse: 25th Anniversary Celebration

performances
October 18

Formations Series for New & Improvised Music

readings & workshops
October 20

Poetry Reading: Soham Patel and Lauren Russell 

readings & workshops
October 25

Poetry Reading: Urban Echo Poets + Open Mic

readings & workshops
October 28

Poetry Reading: Kathleen A. Dale, Louisa Loveridge Gallas, Judith Harway, and Bill Murtaugh

special events
November 17

We Exist to Prove the Living Artist: 38th Anniversary Gala

readings & workshops
November 30

Poetry Reading: Anna Vitale and Daniel Owen

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

Juan Felipe Herrera

Juan Felipe Herrera is a poet, performer, writer, cartoonist, teacher, and activist. His publications include fourteen collections of poetry, prose, short stories, young adult novels and picture books for children, with over twenty books total.

During the last three decades Herrera has received numerous awards and fellowships including various National Endowment for the Arts Writers' Fellowships, four California Arts Council grants, the UC Berkeley Regent's Fellowship, the Breadloaf Fellowship in Poetry, and the Stanford Chicano Fellows Fellowship.

His literary endeavors have garnered the Ezra Jack Keats Award, the Hungry Mind Award of Distinction, the Americas Award, and the Focal Award. Herrara is also a community arts leadership builder with youth-at-risk and migrant communities, and an actor with appearances on film and stage. The Upside Down Boy, a musical for young audiences based on his book, was well received in New York City in 2004.
 

Selected Poems

La Muerte

(Death)


Juan Felipe Herrera

My word against theirs, my sickle humor
against their last glass of chianti. Simple,
Direct and compassionate—in a way, let us say,
it is in my nature to be generous: to remind
the passengers about the last stop in Anguish-
town, to spell integration with an X, to scrub
the word Prison with sneaky vastness inside.

It is my own penchant for skull symphonies
my embossed headdress, especially, that brings
me to your carpeted doom-time; this flowery intro
serves a purpose; every spirit strand is an exit,
a cash & carry star of exits and entrances.
________________________________________________


El ángel de la guarda

(The Guardian Angel)
 

I should have visited more often.
I should have taken the sour pudding they offered.
I should have danced that lousy beggar shuffle.
I should have painted their rooms in a brighter color.
I should have put a window in there, for the daughters.
I should have provided a decent mountain for a view.
I should have nudged them a little closer to the sky.
I should have guessed they would never come out to wave.
I should have cleaned up that mole, the abyss, in the back.
I should have touched them, that's it, it comes to me now.
I should have touched them.


from Lotería Cards and Fortune Poems: A Book of Lives
Linocuts by Artemil Rodrígues
City Lights, 1999