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Alternating Currents Live: Making Sounds Musical |
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Alternating Currents Live had its official inauguration in September
1995 with a solo performance by Dutch saxophonist Luc Houtcamp. I had
already been on WMSE with a Sunday night radio show called Alternating
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| Clockwise from upper left: Steve Nelson-Raney, Mary Oliver, Evan Parker, Peter Brötzmann, Assif Tsahar, Cooper-Moore, Paul Rutherford |
Currentsa name inspired by a book of essays by poet Octavio Pazfor
two years and Anne Kingsbury and Karl Gartung invited me to extend
this radio show into a series of related concerts in the gallery at
Woodland Pattern. With the encouragement and support of WMSE's station
manager Tom Crawford, Alternating Currents Live was quickly off and
running.
Our second concert that first season brought the percussion
duo of Hamid Drake and Michael Zerang up from Chicago with an evening
that included the unforgettable set length "Tribute to Edward
Blackwell," a homage to Ornette Coleman's extraordinary drummer whose
work had been influential on both Mr. Zerang, Mr. Drake, and so many
modern jazz drummers.
Working closely with other new music series based in the midwest,
particularly through Chicago's Experimental Sound Studio, the Outer Ear
Festival, and the Empty Bottle, Alternating Currents Live has been able
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| Clockwise from upper left: Henry Grimes, Nicole Mitchell, Josh Abrams, David Boykins, Brandon Terzic, Ravish Momin, Sam Bardfeld |
to present composers, performers, and improvising musicians from around
the world with particular emphasis on composer/performers who bring
their unique musical sensibilities to the creation of very personal and
individual work.
From the beginning I've felt that the music
programming at Woodland Pattern should reflect the same dedication to
personal exploration, sensitivity to the means and methods of
communication, and the power of shared interaction with the world
around us as expressed in the arts of looking and listening, as is
intrinsic to the literary arts presented at Woodland Pattern all year
around.
Alternating Currents Live, building upon the exceptional programming
done by Thomas Gaudynski in the 1980s, offers an opportunity to hear
challenging and finely crafted music in the intimate physical and
acoustic space of Woodland Pattern's gallery. We've always sought to
present musicians who will be sensitive to that intimacy, i.e. who are
able to listen to the audience listen, in terms of musical dynamics and
creativity. Even if the music may be completely unfamiliar and, on
first encounter, a challenge to many ideas about what is conventionally
musical, this closeness to the act of making sounds musical can offer
an exceptional doorway into a fresh and memorable concert experience.
- Hal Rammel, March 2007
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