• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
February 16 - Mar 17

Exhibition: bruise bullet flower

performances
February 21

Formations Series for New & Improvised Music

readings & workshops
February 23

Poetry Reading: Rosa Alcalá & Daniel Borzutzky

readings & workshops
February 24

Writing Life Stories: A Memoir Workshop

readings & workshops
February 26

Lapsed Writers’ Revival Workshop

readings & workshops
February 28

Poetry Reading: dg nanouk okpik

performances
March 10

Alternating Currents Live presents Wayfaring

readings & workshops
March 12

Lapsed Writers’ Revival Workshop

readings & workshops
March 26

Lapsed Writers’ Revival Workshop

readings & workshops
April 9

Lapsed Writers’ Revival Workshop

readings & workshops
April 23

Lapsed Writers’ Revival Workshop

readings & workshops
May 7

Lapsed Writers’ Revival Workshop

Archived performances
May 10 Sunday, May 10
6:00pm, TUITION: $100 (MEMBERS $90) | DROP-INS $20 ($18 MEMBERS)

 

This concert will reunite the first Transatlantic Bridge ensemble, who performed in Paris in 2013. Ensemble will include:

 

Douglas R. Ewart (reeds & winds)

Jean-Luc Cappozzo (trumpet & flugelhorn)

Joëlle Léandre (double bass)

Bernard Santacruz (double bass)

Michael Zerang (percussion)

 

Sonic Communion (The Transatlantic Bridge) is a quintet of free spirits – living at the crossroads, seeking to liberate them – brought together by magnetic forces. On the French side, we find trumpet player Jean-Luc Cappozzo and bass players Joëlle Léandre and Bernard Santacruz. And we know that the first and the second have, notably, both performed with George Lewis. The second and the third have, notably, both played with Nicole Mitchell. The first and the third have, notably, both performed with Charles Gayle, in Denis Fournier's quintet, and in their own quartet. On the American side, Douglas R. Ewart who, besides being an explosive visual artist, falls within the lineage of the iconoclast multi-instrumentalists of the AACM, such as Lewis and Mitchell; and Michael Zerang, who has already made his surfaces, skins, and metals resound, hiss, and squeak on the stages of Chicago and Europe. Their improvised music – that is to say, very much in/out of proportion to who they are collectively – is the adventurously passionate music of intersecting paths and chartered worlds.  - Alexandre Pierrepont, 2015