• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Dec 30

Dhamma MKE

readings & workshops
October 22 - Dec 31

Welcome Home!: A Veterans Writing Group

exhibitions
December 8 - Jan 25

To Sight's Limit

readings & workshops
December 12

Poetry Reading: Eric Baus & Siwar Masannat

readings & workshops
December 13

Reading: Milwaukee Queer Writing Project

special events
December 15 -15

Woodland Pattern's Annual Open House

performances
December 19

Formations Series for New and Improvised Music

December 23 - Jan 1

CLOSED

special events
January 25 -26

26th Annual Poetry Marathon and Benefit

Archived performances
May 10 Sunday, May 10
10:00am, $10 all day access | FREE entry for readers, and for those who pledge a reader for $40 or more

 

This concert will reunite the first Transatlantic Bridge ensemble, who performed in Paris in 2013. Ensemble will include:

 

Douglas R. Ewart (reeds & winds)

Jean-Luc Cappozzo (trumpet & flugelhorn)

Joëlle Léandre (double bass)

Bernard Santacruz (double bass)

Michael Zerang (percussion)

 

Sonic Communion (The Transatlantic Bridge) is a quintet of free spirits – living at the crossroads, seeking to liberate them – brought together by magnetic forces. On the French side, we find trumpet player Jean-Luc Cappozzo and bass players Joëlle Léandre and Bernard Santacruz. And we know that the first and the second have, notably, both performed with George Lewis. The second and the third have, notably, both played with Nicole Mitchell. The first and the third have, notably, both performed with Charles Gayle, in Denis Fournier's quintet, and in their own quartet. On the American side, Douglas R. Ewart who, besides being an explosive visual artist, falls within the lineage of the iconoclast multi-instrumentalists of the AACM, such as Lewis and Mitchell; and Michael Zerang, who has already made his surfaces, skins, and metals resound, hiss, and squeak on the stages of Chicago and Europe. Their improvised music – that is to say, very much in/out of proportion to who they are collectively – is the adventurously passionate music of intersecting paths and chartered worlds.  - Alexandre Pierrepont, 2015