• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
November 1 -25

Fragile Not Found: Molly Hassler, Anika Kowalik & LaNia Sproles

special events
November 17

We Exist to Prove the Living Artist: 38th Anniversary Gala

performances
November 18

Concert: Alternating Currents Live presents The Bridge #15

readings & workshops
November 20

Project Cozy an Art Workshop with Anika Kowalik

readings & workshops
November 27

Reading: Theodore Van Alst Jr.

readings & workshops
November 28

Poetry Reading: Krystal Languell & Dominique Salas

readings & workshops
November 30

Poetry Reading: Anna Vitale and Daniel Owen

performances
December 9

Alternating Currents Live presents James Sanders’ Dark Matter String Band

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

performances
December 20

Formations Series for New & Improvised Music

Archived performances
May 10 Sunday, May 10
7:00pm, $6

 

This concert will reunite the first Transatlantic Bridge ensemble, who performed in Paris in 2013. Ensemble will include:

 

Douglas R. Ewart (reeds & winds)

Jean-Luc Cappozzo (trumpet & flugelhorn)

Joëlle Léandre (double bass)

Bernard Santacruz (double bass)

Michael Zerang (percussion)

 

Sonic Communion (The Transatlantic Bridge) is a quintet of free spirits – living at the crossroads, seeking to liberate them – brought together by magnetic forces. On the French side, we find trumpet player Jean-Luc Cappozzo and bass players Joëlle Léandre and Bernard Santacruz. And we know that the first and the second have, notably, both performed with George Lewis. The second and the third have, notably, both played with Nicole Mitchell. The first and the third have, notably, both performed with Charles Gayle, in Denis Fournier's quintet, and in their own quartet. On the American side, Douglas R. Ewart who, besides being an explosive visual artist, falls within the lineage of the iconoclast multi-instrumentalists of the AACM, such as Lewis and Mitchell; and Michael Zerang, who has already made his surfaces, skins, and metals resound, hiss, and squeak on the stages of Chicago and Europe. Their improvised music – that is to say, very much in/out of proportion to who they are collectively – is the adventurously passionate music of intersecting paths and chartered worlds.  - Alexandre Pierrepont, 2015