• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
March 6 - Jun 12

Dhamma MKE, a breath-based meditation circle

readings & workshops
April 6 - Jun 29

Book Club: Readshops led by Karl Gartung

performances
April 26

Cross / Pollinate: Ruth B8r, L Allen, Apollo Vermouth, J Janzer

readings & workshops
April 27

Reading: Dara Wier

film & video
May 3

aCinema Screening

readings & workshops
May 4

Poetry Reading: Mary-Kim Arnold & Kate Colby

performances
May 5

Performance: The Bridge #2.1

readings & workshops
May 7

Lapsed Writers’ Revival Workshop

readings & workshops
May 9

Poetry Reading: Morgan Parker & Becca Klaver

film & video
May 10

Screening: Milwaukee Kitchen Viewing Party

readings & workshops
May 18

Poetry Reading: Lila Zemborain & Elias Sepulveda

readings & workshops
May 23

Poetry Reading: David Welch & Jacob Saenz

performances
May 26

Alternating Currents Live presents: Jim Baker + special guest

Archived film & video
Dec 4 Friday, December 4
7:00pm, $6 members | $7 students/seniors | $8 general

 

Microlights Cinema serves as a venue for screening experimental, underground, avant-garde, aprés-garde, and otherwise strange, beautiful, and unusual film//video works. 

 

THE DAY OF TWO NOONS

Mike Gibisser | US | 2012 | 67m

color/b&w | sound | 16mm on video

 

An experimental essay regarding alterations in the progression of time. Space shrinks by collapsing the duration it takes for a body to traverse it—or a mind. A railroad redesigns the temporal system of a nation. A man photographs a horse. A woman hallucinates the past.

 

Weaving together portraiture, travelogue, and landscape The Day of Two Noons uses shifts in space, subject, and historical circumstance to investigate standardized time as a process of experiential normalization. Exploring the context in which a cultural experience of time is developed, an outline is formed of experiences that do and do not fit within such a standard. The film attempts a diagnostic on the nervous system of a country.

 

With additional shorts TBD.


Mike Gibisser is a filmmaker and artist interested in navigating the indefinite lines between essay, narrative, experimental, and documentary work, often drawing together disparate subjects or time periods. He is currently an Assistant Professor in the Department of Cinematic Arts at the University of Iowa.