• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
«
»
readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Jun 30

Dhamma MKE

readings & workshops
October 22 - Jun 24

Welcome Home!: A Veterans Writing Group

readings & workshops
February 2 -23

Three Windows into Writing and Revising a Poem with Kathleen A. Dale

exhibitions
February 11 - Apr 5

Tarot: The (Re)Making of a Language

performances
February 20

Formations Series for New and Improvised Music

readings & workshops
February 26

Poetry Reading: Jennifer Elise Foerster + Zoë Johnson

readings & workshops
February 26

Seeing in Invisibility: Poetry as revelation at UWM Libraries Special Collections

readings & workshops
February 27

Urban Echo Poets

readings & workshops
February 29

Visionary Narratives: A Workshop in Drawing Inspiration with Laurence Ross.

exhibitions
February 29

Reception for Tarot: The (Re)Making of a Language

readings & workshops
March 1 -29

On the Front Lines, Behind the Lines: Writing Protest Poetry with Margaret Rozga.

film & video
March 6

aCinema Screening

readings & workshops
March 12

Creative Confluence: Research for Hybrid Writing, a conversation with Heid E. Erdrich

readings & workshops
March 12

Poetry Reading: Heid E. Erdrich

readings & workshops
March 14

Poetry & Pi(e) featuring Vida Cross + Chuck Stebelton

performances
March 19

Formations Series for New and Improvised Music

readings & workshops
March 20

Poetry Reading: Mark Bibbins + Elizabeth Hoover

readings & workshops
March 26

Poetry Reading: Eli Goldblatt + Charles Alexander

readings & workshops
March 28

Poetry Reading: Tara Betts + Jennifer Steele

Archived exhibitions
Feb 19 February 19 - March 26
7:00pm, $Give What You Can

 

Join us for a FREE opening reception on Friday, February 19th from 6 PM until 9 PM.

David Dunlap will be in attendance!

 

David Dunlap always carries a small notebook in his hip pocket. He’s done this since 1974, and often structures his site specific installations around the chronology of his obsessive recordings in these tattered little books. He has also created ornate monthly calendars for the past 25 years that suggest the sedimentary and inevitable flow of time in a life of art. If you run into him, he’ll jot down thoughts, addresses, comments, notes to himself or notes to you. He also paints suits with icons, images and poetic text. Suits, pants, hats, vests, ties, shoes. When one surface fills, he moves on to another. These suits, he claims, “are at work when they are at rest. Then occupied, they go to work again by going out into the world…” I like the idea that one’s work “goes out into the world” like a march, or a walk, or a witness.

 

David is like a one-man art movement occupying any necessary space. Back when I was in college in Colorado Springs, I happened to see a Prismacolor pencil drawing that David had done, included in a local exhibition. It was a beautiful thing, something about the private life of Vincent Van Gogh, and I visited it daily, marveling at the detail and acid green palette. Inspired by that artwork, I spent the next five years making Prismacolor drawings. That’s how David’s work works: whether structuring brilliant “free art schools” at his Walnut Farms domicile outside of Iowa City, or engaging collaborations across the globe, he makes the creative act look as natural as breathing. You might see his work in a fine museum, or pulled behind a bicycle in a park, or mysteriously lit with holiday lights on the side of a back country highway, or in an exhibition like this at Woodland Pattern. In recent years, I’ve gotten to know David a bit beyond his early prowess with colored pencil, and am honored to help bring his work to Milwaukee. In the back of some closet, I know I have an old suit coat that needs some cryptic, inspirational, historically resonant, aphoristic, expressive, poetic messages painted onto it. Like a book, it would then be at rest while working, worn out into the world to be read. Like a book.

 

Lane Hall

 

 

 

 


David Dunlap is a walnut farmer and painter, a poet of common objects. He keeps notebooks as a way of recording details of daily encounters, and continues to teach in informal settings even after his recent retirement as an art professor at the University of Iowa. He was born in 1940 in Kansas City, Missouri, traveled to Cuba right after the revolution, was inspired by MLK speeches to march for civil rights, and was active in anti-war protests during his formative years. He lived, for a while, in NYC, and then moved to Iowa City, where he worked as a professor, always placing student need over institutional constraint. He currently lives and works as the Attendant at Walnut Farms outside of Iowa City, usually in collaboration with artists from around the world.

 

Guest curator Lane Hall is a multi-media artist, writer and professor in the Department of English at UW-Milwaukee. He has been active in the recent political struggles in Wisconsin, and has been extensively engaged in artistic activism at both street and academic level. He was a co-founder of the Overpass Light Brigade (OLB) which is a direct action group aimed at DIY political messaging, visibility, and the creation of community through peaceful protest. OLB has spawned an international movement of Light Brigades that is currently comprised of over fifty chapters within the USA, Germany, the UK and New Zealand, all focussing on regional social justice struggles and broader collaborations and campaigns. He continues to seek balance between teaching, visual art, writing, and street activism.

 

 

 

Made possible with generous support from