• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Sep 28

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Sep 25

Dhamma MKE

exhibitions
August 1 - Sep 26

The Point Being: Works by Thomas Gaudynski

special events
August 12 -23

CLOSED for inventory

readings & workshops
September 5

Br!NK New Play Festival

film & video
September 6

aCinema presents Aurora Picture Show’s Extremely Shorts Touring Program

readings & workshops
September 7

Poetry Reading: Ana Božičević & Annie Grizzle

readings & workshops
September 7

Poems are a River: Writing Built and Natural Form - a workshop with Ana Božičević

performances
September 11

Thomas Gaudynski, Linda Binder, and Mark Mantel performing in response to The Point Being

exhibitions
September 14

AVIARY: Selected Paintings by Ken Wood - Book Release and Reception

performances
September 15

Alternating Currents Live presents Silvia Bolognesi and Russ Johnson

performances
September 19

Formations Series for New and Improvised Music

readings & workshops
September 20

Poetry Reading: John Sierpinski, Sylvia Cavanaugh, and Ed Werstein

Archived performances
Nov 13 Sunday, November 13
7:00pm, $Give What You Can

 

Khari B. — voice

Magic Malik — flute, voice

Guillaume Orti — saxophones

Jeb Bishop — trombone

Frédéric Bargeon Briet — double bass

Tim Daisy — drums, trombone

 

Like all the assemblies of musicians put forward by The Transatlantic Bridge, this formation is a story of merging forces, a story born of desire and first encounters. Thus, Frédéric Bargeon-Briet and Guillaume Orti have spent much time together in the Hask collective in the 90s. With Nimbus, Briet’s polyvalent ensemble, the double bass player has made sure to include the saxophonist/flute player Magic Malik (who has also collaborated with Orti). Briet, during a trip to the US in 2012, met Jeb Bishop in Chicago, with whom he later collaborated in the ensemble Bonadventure Pencroff. Khari B., son of the saxophone and clarinet player Mwata Bowden, was recently elected chairman of the AACM. All this makes Briet say: “In this orchestra, the trajectories of each musician are like rays of light converging to the focal point of a magnifying lens. After the first concert at Sons d’hiver, once we have exchanged the first notes, texts, and words, we will have gone through the lens to discover and travel a sublimed dimension different from the one we are familiar with. We will be on both sides of the looking glass, observing and being observed.”

 

—Alexandre Pierrepont, 2016