• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

exhibitions
October 5 - Nov 24

Chain of Events: Tyanna Buie

readings & workshops
October 22 - Dec 31

Welcome Home!: A Veterans Writing Group

readings & workshops
October 23

Reading and Book Launch: Kathie Giorgio

readings & workshops
October 24

Urban Echo Poets

readings & workshops
October 27

Submitathon

readings & workshops
October 30

Undocumented: Great Lakes Poets Laureate on Social Justice

readings & workshops
November 1

Reading and Screening: Trisha Low, Stephanie Young, and Zachary Epcar

film & video
November 3

It’s an Interlace: Five Videos by Barbara Hammer

readings & workshops
November 10 - Dec 8

Shifty Subjects and Unexpected Endings

performances
November 10

Alternating Currents Live presents: The Transatlantic Bridge #2.2

special events
November 16

39th Anniversary Gala

performances
November 17

Alternating Currents Live presents: Ernest Dawkins’ Boglifier Project

readings & workshops
November 21

Poetry Reading: Kimberly Blaeser & William Stobb

November 28

CLOSED

Archived performances
Nov 2 Sunday, November 2
11:00am,

The latest incarnation of the international project the Transatlantic Bridge, bringing together creative musicians from France and Chicago, offers further explorations as Escape Lane. Alexandre Pierrepont, organizer of these projects, writes:

"A singularity, guitarist Jeff Parker sometimes seems to hammer away at his instrument, equipped with a grammar of undulations and oscillations whose natural flow he thwarts with an extremely rich vocabulary of noise. When many others are thundering on their instrument, Marquis Hill is unique in the sense that he would rather work on his structure—paradoxically woody—and deepen its network of ridges and sap. Joachim Florent, on the other hand, develops on his double bass thick broken and bumpy lines, whose volume he stretches and whose tentacles he stretches—with a slenderness that all but evokes some of his respected predecessors, from Charlie Haden on. This leaves the singular Denis Fournier, master of the art of fluttering on the ovals and lozenges of skins and metals, and on the dilated orbits of this drums—to the extent that it seems that he can vaporize rhythms. With him, with them, there is no doubt that there will always be a lyrical component in the midst of an enchanting improvisation; an improvisation that sings."