• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Sep 28

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Sep 25

Dhamma MKE

exhibitions
August 1 - Sep 26

The Point Being: Works by Thomas Gaudynski

special events
August 12 -23

CLOSED for inventory

readings & workshops
September 5

Br!NK New Play Festival

film & video
September 6

aCinema presents Aurora Picture Show’s Extremely Shorts Touring Program

readings & workshops
September 7

Poetry Reading: Ana Božičević & Annie Grizzle

readings & workshops
September 7

Poems are a River: Writing Built and Natural Form - a workshop with Ana Božičević

performances
September 11

Thomas Gaudynski, Linda Binder, and Mark Mantel performing in response to The Point Being

exhibitions
September 14

AVIARY: Selected Paintings by Ken Wood - Book Release and Reception

performances
September 15

Alternating Currents Live presents Silvia Bolognesi and Russ Johnson

performances
September 19

Formations Series for New and Improvised Music

readings & workshops
September 20

Poetry Reading: John Sierpinski, Sylvia Cavanaugh, and Ed Werstein

Archived performances
Nov 2 Sunday, November 2
7:00pm, $Give What You Can

The latest incarnation of the international project the Transatlantic Bridge, bringing together creative musicians from France and Chicago, offers further explorations as Escape Lane. Alexandre Pierrepont, organizer of these projects, writes:

"A singularity, guitarist Jeff Parker sometimes seems to hammer away at his instrument, equipped with a grammar of undulations and oscillations whose natural flow he thwarts with an extremely rich vocabulary of noise. When many others are thundering on their instrument, Marquis Hill is unique in the sense that he would rather work on his structure—paradoxically woody—and deepen its network of ridges and sap. Joachim Florent, on the other hand, develops on his double bass thick broken and bumpy lines, whose volume he stretches and whose tentacles he stretches—with a slenderness that all but evokes some of his respected predecessors, from Charlie Haden on. This leaves the singular Denis Fournier, master of the art of fluttering on the ovals and lozenges of skins and metals, and on the dilated orbits of this drums—to the extent that it seems that he can vaporize rhythms. With him, with them, there is no doubt that there will always be a lyrical component in the midst of an enchanting improvisation; an improvisation that sings."