• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Sep 28

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Sep 25

Dhamma MKE

exhibitions
August 1 - Sep 26

The Point Being: Works by Thomas Gaudynski

special events
August 12 -23

CLOSED for inventory

readings & workshops
September 5

Br!NK New Play Festival

film & video
September 6

aCinema presents Aurora Picture Show’s Extremely Shorts Touring Program

readings & workshops
September 7

Poetry Reading: Ana Božičević & Annie Grizzle

readings & workshops
September 7

Poems are a River: Writing Built and Natural Form - a workshop with Ana Božičević

performances
September 11

Thomas Gaudynski, Linda Binder, and Mark Mantel performing in response to The Point Being

exhibitions
September 14

AVIARY: Selected Paintings by Ken Wood - Book Release and Reception

performances
September 15

Alternating Currents Live presents Silvia Bolognesi and Russ Johnson

performances
September 19

Formations Series for New and Improvised Music

readings & workshops
September 20

Poetry Reading: John Sierpinski, Sylvia Cavanaugh, and Ed Werstein

Archived performances
May 14 Sunday, May 14
7:00pm, $Give What You Can

featuring

Jean-Luc Guionnet— alto saxophone

Pierre-Antoine Badaroux— alto saxophone

Jim Baker— keyboards, ARP synthetizer

Jason Roebke— double bass

 

The Transatlantic Bridge to Creative Music is a project directed by poet/historian/cultural critic Alexandre Pierrepont to foster communication between musicians in Paris and in Chicago.  Woodland Pattern has been proud to be part of this transatlantic project for the past 4 years. Alexandre Pierrepont writes:

 

"‘Jazz’ music has always crossed borders with ease, be they between styles and nations, in order to better glorify the stirring power of its "disparate singularities", to make them go haywire. Born from the African American experiences, still deeply connected to them while becoming American, European, Western, and transnational, ‘jazz’ grew by producing groundbreaking hybrids, with every musician always contributing their whole being, to be transformed upon contact with others.”