• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Jun 30

Dhamma MKE

readings & workshops
October 22 - Jun 24

Welcome Home!: A Veterans Writing Group

readings & workshops
February 2 -23

Three Windows into Writing and Revising a Poem with Kathleen A. Dale

exhibitions
February 11 - Apr 5

Tarot: The (Re)Making of a Language

performances
February 20

Formations Series for New and Improvised Music

readings & workshops
February 26

Poetry Reading: Jennifer Elise Foerster + Zoë Johnson

readings & workshops
February 26

Seeing in Invisibility: Poetry as revelation at UWM Libraries Special Collections

readings & workshops
February 27

Urban Echo Poets

readings & workshops
February 29

Visionary Narratives: A Workshop in Drawing Inspiration with Laurence Ross.

exhibitions
February 29

Reception for Tarot: The (Re)Making of a Language

readings & workshops
March 1 -29

On the Front Lines, Behind the Lines: Writing Protest Poetry with Margaret Rozga.

film & video
March 6

aCinema Screening

readings & workshops
March 12

Creative Confluence: Research for Hybrid Writing, a conversation with Heid E. Erdrich

readings & workshops
March 12

Poetry Reading: Heid E. Erdrich

readings & workshops
March 14

Poetry & Pi(e) featuring Vida Cross + Chuck Stebelton

performances
March 19

Formations Series for New and Improvised Music

readings & workshops
March 20

Poetry Reading: Mark Bibbins + Elizabeth Hoover

readings & workshops
March 26

Poetry Reading: Eli Goldblatt + Charles Alexander

readings & workshops
March 28

Poetry Reading: Tara Betts + Jennifer Steele

Archived exhibitions
Nov 1 November 1 - November 25
7:00pm, $Give What You Can

         the notion that multiple things can be true at once...

Fragile Not Found brings together three artists who consider their personal experiences, histories, and perceptions of self within their environments. Each artist creates objects that are “honest in... vulnerability” and consider fragility as strength, something to pay attention to and learn from.


  

Molly Hassler is Bachelor of Fine Arts graduate from University of Wisconsin – Milwaukee with an emphasis in Fibers and a Certificate in Community Arts. She is an interdisciplinary artist using large – scale sculptural fibers works, printing and dying techniques, and community arts engagement to communicate ideas surrounding queerness, nostalgia (or even nostalgia for nostalgia), and family.

Anika Kowalik was born and raised out of Milwaukee, Wisconsin. While growing up, Kowalik had the experience of living in many neighborhoods in Milwaukee, exposing them to the unique way that racism historically has shaped the city today. After attending Milwaukee Institute of Art and Design for their BFA in printmaking ‘17; Kowalik would utilize the language of printmaking and expand outside of its traditional two dimensional form. They use their  personal experiences as a young black femme to explore the depths of generational and systematic oppression to create works that record their own history.  As a person who is apart of a marginalized group, it is vital to unpack the truth through many facets of documentation. Kowalik finds it easier to communicate these personal experiences through materiality, expanding beyond the physical body we commonly search for and traditional forms of expression.

LaNia Sproles grew up in the segregated city of Milwaukee, Wisconsin and graduated with a BFA from Milwaukee Institute of Art and Design. She devotes most of her time conducting research on the philosophies of self perception, queer and feminist theories, and inherent racial dogmas; while also examining the contemporary works’ of Laylah Ali, Kara Walker and poet, Warsan Shire. The combination of printmaking and drawing inspires her to challenge these concepts and to push beyond the traditional expectations of not only the figure but printmaking itself. Through collage and assemblage she strives to conduct work that pays homage to imagery free from the barriers of social constructs and honest in its vulnerability.