• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
November 28 - Jan 31

Vanessa German: Defiant Show of Unity

performances
December 13

Performance & Opening Reception: Vanessa German

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

performances
December 20

Formations Series for New & Improvised Music

readings & workshops
December 22

Community Reading: Midwinter Day

readings & workshops
January 6

Workshop: Verbs as Images/Images as Verbs

special events
January 26 -27

25th Annual Poetry Marathon & Benefit

George Albon

George Albon is the author of Empire Life (Littoral Books), Thousands Count Out Loud (lyric & press), Brief Capital of Disturbances (Omnidawn), and Step(The Post-Apollo Press). Chapbooks include King (Meow Press), Transit Rock(Duration Press), and Reading Pole(Seeing Eye Books). His work has appeared in Hambone, New American Writing, O Anthology 4, Avec Sampler 1, The New Review of Literature, and the anthologies The Gertrude Stein Awards in Innovative American Poetry,Bay Poetics, and Blood and Tears: Poems for Matthew Shepard. His essay "The Paradise of Meaning" was the George Oppen Memorial Lecture for 2002. He lives and works in San Francisco.

"George Albon's Momentary Songs sound the possibilities of forwardness and hope in a surrounding twilight of unprecedented venality. Using a variety of registers—lyrical inquiry, Blakean exhortation, the satirical spiel of Morgenstern's Gallows Songs—they search for alternative states (public ones, affective ones) as well as offer a probe on what has come to pass."
- Rodney Koeneke

Selected Poems

from Momentary Songs


George Albon

 

First I was bruised
but that was just oaths.
Later I came down
in clean sports clothes.

Short sleeves, khakis,
mint-green convertible.
Watched numbers spin round
and him take the ball.

So much dead air
I want to claim
but objects are near,
no overtime.