• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Sep 28

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Sep 25

Dhamma MKE

exhibitions
August 1 - Sep 26

The Point Being: Works by Thomas Gaudynski

special events
September 21

¡Palante!: A Celebration of Puerto Rican Arts and Culture

readings & workshops
September 22 - Oct 13

Friction in Fiction: Developing Characters and Conflict

readings & workshops
September 26

Poetry Reading: Jake Skeets & Manny Loley

readings & workshops
September 26

Poem as Field – Understanding Energy in Poetry a craft talk with Jake Skeets

readings & workshops
October 2

Poetry Reading: Alan Bernheimer & Karl Gartung

readings & workshops
October 16

Poetry Reading: Timothy Donnelly & Bethany Price

performances
October 17

Formations Series for New & Improvised Music

readings & workshops
October 19

Language as a Playground

readings & workshops
October 20

Reading: Peter Markus

readings & workshops
October 22 - Dec 31

Welcome Home!: A Veterans Writing Group

readings & workshops
October 23

Reading and Book Launch: Kathie Giorgio

readings & workshops
October 24

Urban Echo Poets

readings & workshops
October 27

Submitathon

readings & workshops
November 1

Reading and Screening: Trisha Low, Stephanie Young, and Zachary Epcar

readings & workshops
November 10 - Dec 8

Shifty Subjects and Unexpected Endings

special events
November 16

39th Anniversary Gala

Ralph Salisbury

Rockefeller Bellagio Award winner Ralph Salisbury's book-length memoir, So Far So Good (winner of the 2012 Riverteeth Literary Nonfiction Award), is scheduled for publication by University of Nebraska Press in 2013. His three books of short fiction and ten books of poems evoke his Cherokee-Shawnee-Irish-English-American heritage. He has presented his work on stage, on radio and on TV, in the U.S., Canada, Europe, and India. His poem "In the Children's Museum in Nashville" was published in the New Yorker in 1960, and has attracted attention as a precursor to the contemporary Native American literary movement. In selecting his 2000 book Rainbows of Stone as an Oregon Book Award finalist in poetry, Maxine Kumin wrote: "Nature in Ralph Salisbury's conception is a Presence to be addressed. . . . His book deserves a broad audience." His most recent books are Blind Pumper at the Well (Salt Press, Cambridge, UK), The Indian Who Bombed Berlin (Michigan State University Press), and Light from a Bullet Hole: Poems New and Selected(Silverfish Review Press), which was nominated for the Pulitzer Prize. 

Born of a Cherokee-Shawnee story-teller, singer father and a story-telling Irish American mother, he grew up hunting and trapping, for meat and pelts, and working on his family's farm, which had no electricity or running water. Through World War Two Air Force service, he earned six years of university education, and has worked at writing, editing, translating and teaching writing and literature, from 1950 to the present.

Though he has lived and worked among the intelligentsia of many nations, his writing comes from being a questing, mixed-race, working-class individual in a violent world, and he says that his work is offered to the spirit of human goodness, which unites all people in the eternal struggle against evil, a struggle to prevail against global extinction. Additional funding for Ralph Salisbury's visit was provided by the National Endowment for the Arts, the Milwaukee Arts Board and the Helen Bader Foundation.
 

Selected Poems

For a Child Killed by Nuclear Fallout in Milk


Ralph Salisbury

 

As tall as a five year old it will fill
with energy and kill
with invisible spears
from a hill so high
the family will feel bereavement has come from
the Source of All Bereavement,
a ten gallon milk can holds one history of the world.

Since I am alive, my son's playmate dies
again, but only as fact, on this page
more fragile than Nagasaki shacks,
less fragile than my dream, now nearly gone,
of a home about to be bombed,
black sheets stretched across windows
from ceiling to floor.

"That sound," I cried,:"what is it?"

"Just water," my wife told me, "boiling for tea."

"Then someone lives here."

I awoke, afraid,
the newspaper chronicling my fear.