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Event Calendar
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readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Dec 30

Dhamma MKE

readings & workshops
October 22 - Dec 31

Welcome Home!: A Veterans Writing Group

exhibitions
December 8 - Jan 25

To Sight's Limit

performances
December 19

Formations Series for New and Improvised Music

December 23 - Jan 1

CLOSED

special events
January 25 -26

26th Annual Poetry Marathon and Benefit

Small Press

Poetry.
Paperback. Salt Publishing (2007).
$15.95

This is part of Woodland Pattern's 2016 Local Author Reading Challenge. Learn more.

Apprenticed to Justice is a collection of vividly rendered lyrical and narrative poems that trace the complex inheritances of Indigenous America, this “strange map drawn of blood and history.” It opens with intriguing glimpses of individuals—a mother “born of dawn / in a reckless moon of miscegenation,” cousins “who rotated authority / on marbles sex and skunk etiquette,” women “planting dreams with dank names like rutabaga and kohlrabi”—and it turns on the notion of legacy. From what dark turmoil of earth do we emerge? How and what do we inherit? To what mesh of tangled origins do we live apprenticed? These are the literal and the metaphorical questions Anishinaabe author Kimberly Blaeser asks in this, her third collection of poetry.

Grounded in rich details of places from the Boundary Waters Canoe Area Wilderness to the arctic region of Kirkenes, Norway, the poems link the people and the landscapes through storytelling. Narratives range from the comedy of a missing outhouse floor to the longing for the return of an MIA. The storied landscapes of the poems, the “Rocky bottom allotted land(s) / twenty-eight slow horse miles / from the village store,” also become intertwined with tribal history. And the remembered tribal accounts of scorched earth campaigns or the Trail of Tears in their turn become enmeshed with contemporary justice issues including Potlatch’s relentless clear cutting of forest lands and the strange cannibalism inherent in Sr. Inez Hilger’s study of “other” cultures like that at Blaeser’s home, White Earth Reservation. Ultimately, attention to these justice issues invoke the lives of tribal elders whose figurative “fragile houses / pegged at the corners with only hope” somehow represent and teach survival. Finally, each movement in the book connects back to the act of writing, to the poems themselves as both remembrance and a kind of revolution—“these fingers / drumming on keys.”


About the Author

Kimberly Blaeser is a Professor at University of Wisconsin—Milwaukee where she teaches Creative Writing, Native American Literature, and American Nature Writing. Her publications include two books of poetry Trailing You, winner of the first book award from the Native Writers’ Circle of the Americas, and Absentee Indians and Other Poems, as well as a scholarly study, Gerald Vizenor: Writing in the Oral Tradition. Of Anishinaabe ancestry and an enrolled member of the Minnesota Chippewa Tribe who grew up on the White Earth Reservation, Blaeser is also the editor of Stories Migrating Home: A Collection of Anishinaabe Prose and Traces in Blood, Bone, and Stone: Contemporary Ojibwe Poetry. Her most recent critical publication is a 100-page essay on Native poetry, “Cannons and Canonization,” in The Columbia Guide to American Indian Literatures of the United States. Kim lives with her husband and two young children in the woods and wetlands of rural Lyons township Wisconsin.