Paperback. Bilingual Review Press (2009).
This book is part of Woodland Pattern's 2016 Local Author Reading Challenge. Learn more.
Part of the Canto Cosas series.
In Boomerang, Brenda Cárdenas creates a vibrant, syncretic space open to many voices, perspectives, and tongues. Here, whatever is made is in motion. Cárdenas casts a line of English, and it returns to her in Spanish. She spins lyrically taut free verse; sculpts prose poems, sapphics, and sonnets; and punches the rhythms of spoken word in what Juan Felipe Herrera has called "a sonic calligraphy, hand-thrown spirals of spirit." Whether telling stories of displaced peoples and places, responding to Chicano art, or meditating on language itself, Cárdenas strikes a deliberately tenuous balance between self-assurance and loss, all the while on a journey toward the interconnectedness that she calls home.
"Language is a musical instrument, and for Brenda Cardenas, blending musical instruments makes for better music. Boomerang is a collection of poetry from Cardenas emphasizing her unique style of blending English and Spanish to create a truly unique style that those who can appreciate both languages' better qualities will certainly enjoy. Boomerang is a fine bit of bilingual poetry and should not be missed." - James Cox, The Midwest Book Review
About Canto Cosas
Funded in part by grants from the National Endowment for the Arts and the Arizona Commission on the Arts, this series is designed to give further exposure to poets who have achieved a significant level of critical recognition through individual chapbooks and publication in periodicals or anthologies or both, but who have not yet had their own books of poetry published. Under the watchful eye of series editor and award-winning poet Francisco Aragón, the books in Canto Cosas alternate between the experimental and the traditional.
About the Author
Brenda Cárdenas's chapbook of poetry From the Tongues of Brick and Stone was published by Momotombo Press in 2005. She also coedited Between the Heart and the Land: Latina Poets in the Midwest (2001). Her work has appeared in a range of publications including Achiote Seeds, The City Visible: Chicago Poetry for the New Century, The Wind Shifts: New Latino Poetry, U.S. Latino Literature Today, Prairie Schooner, RATTLE: Poetry for the 21st Century, and Poetry Daily, among others. With Sonido Ink(quieto), a spoken word and music ensemble, she coproduced and released the CD Chicano, Illnoize: The Blue Island Sessions (2001). Cárdenas is an assistant professor in the Creative Writing program at the University of Wisconsin-Milwaukee.