• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
April 6 - Jun 27

Book Club: Readshops led by Karl Gartung

readings & workshops
July 3 - Dec 30

Dhamma MKE

readings & workshops
October 22 - Dec 31

Welcome Home!: A Veterans Writing Group

readings & workshops
November 10 - Dec 8

Shifty Subjects and Unexpected Endings

exhibitions
December 8 - Jan 25

To Sight's Limit

readings & workshops
December 12

Poetry Reading: Eric Baus & Siwar Masannat

readings & workshops
December 13

Reading: Milwaukee Queer Writing Project

special events
December 15 -15

Woodland Pattern's Annual Open House

performances
December 19

Formations Series for New and Improvised Music

December 23 - Jan 1

CLOSED

special events
January 25 -26

26th Annual Poetry Marathon and Benefit

Small Press

Poetry. 

Alice James Books, 2016

$15.95

 

With Thief in the Interior Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

 

To experience [Phillip B. William’s] poetry is to encounter a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed. His devout and excruciating attention to the line and its indispensable music fuses his implacable understanding of words with their own shadows.
—Rachel Eliza Griffiths, Boston Review

This gorgeous debut is a ‘debut’ in chronology only, a rare poetic event that transcends our expectations. Williams’s poems embody balance: uncompromising and magnetic, surprising and intuitive. Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave.

—Adrian Matejka, author of The Big Smoke 

Not just more of the artfully skill-less, conceptual talk of a poem, this is what you’ve been waiting for: some poetry. Not just skill as possession, as a commodity, but skill to accomplish the expressive event, a deeply felt poetic argument. For example Williams’ line is no arbitrary unit of type, but an effective musically syntactic accomplishment of line. Poetry!

—Ed Roberson 

 

ABOUT THE AUTHOR


Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in CallalooPoetry, the Southern Review, West Branch, and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.