Prompt Against Anxiety #24 | from documentary filmmaker and video artist Portia Cobb. She teaches in the Peck School of the Arts at University of Wisconsin-Milwaukee.
In 2017, I planned a full sabbatical and had plans to travel, then broke my foot in a freak accident as summer was beginning. For me, this was a life-changing event, and the period following my accident was a one of adjustment. I am an active person—a cyclist, a swimmer, an occasional runner, and a gardener. Learning to be still, to be at home, was challenging. Up until then, I hadn’t realized that I suffered a certain type of anxiety—FOMO, a fear of missing out.
Following surgery, I was home more than I had ever been. I could no longer drive, groceries were delivered, friends and acquaintances came to visit—to actually visit! In my stillness, I found myself developing daily rituals for myself that included opening my front door to let sunlight pour in, pulling my curtains back and looking out the window for hours, reading my NY Times from cover to cover, napping, writing poetry, and creating a visual diary I called Postcards from a Sabbatical. My house finally became a Home.
The postcards began as an expression of an imagined vacation somewhere—of being away, but in my own space—and became an exercise of meta-documentary compositions, visual poems, and stories. Sometimes random and sometimes stimulated by something external, or in response to something or someone, the images provided a glimpse of my interior space (home) and of my emotional state, their themes changing depending on my mood. As I created them, I thought less about not having enough (time, money, freedom or sometimes love), and instead, through the lens of my phone, I began to focus my attention on what I did have that brought me joy.
This was the real sabbatical. I began to find value in what was in reach or close by, and to see more of the world within my space: stacks of books, art, family photographs, newspapers, mismatched chairs, lamps, plants, flowers on occasion, fragments of my swollen-but-healing left foot, in contrast to my right foot, which had also transformed. The images offered an ongoing narrative of my world, and of my evolving life state, and the ritual of creating them helped me appreciate my ability to adapt, slowing me down so that healing could take place.
What’s more, this daily diary in an image introduced me to a kind of meditation that would prepare me for the unforeseen isolation of COVID when Home became sanctuary again. Just as when a person turns to word games or cross word puzzles to redirect boredom, frustration, or anxiety, the practice of composing these little moments served to calm my restlessness. I was able to realize that I was not missing out and that in fact I had all I needed to be creative, expressive, and productive.
My Process: Begin Anywhere (John Cage).
You can also use themes as prompts.
1. Take an image a day (or more) for seven days, combining interior and/or exterior spaces you occupy. Try to pay attention to your surroundings more intentionally.
2. Photograph an object in your home that has a story or sentimental value. Share the story or memory of that object.
3. Capture what you see when you wake in the mornings—sometimes it is my sleeping dog at the foot of my bed, books on my nightstand, framed photographs on a shelf, light filtering through a window.
4. Go outside. Look up, down, look around. Take a walk through or sit quietly in a park. Observe nature around you, the change of season, light and clouds in the sky. Go out at different times of the day, observe the same space from different vantage points. Take notes and photograph your notes.
5. Photograph what you see from different points of view. Study the space. Wait to see what may not be obvious at first. On a walk I take with my dog, there is a tree where someone has hung a set of lost keys on a branch. I count the trees so that I will remember to notice the keys…to see if they were ever found.
6. Photograph the familiar—something in your environment that conveys a sense of place, belongingness, community, home.
7. Try to capture something extraordinarily surreal, curious, or beautiful that caught you by surprise. For me this might range from graffiti on a wall to the discovery of a small installation in a yard made by children.
8. Title and share as “A postcard from____ ” (you choose). Some titles for my postcards include “from my harvest,” “from a grassy knoll,” and “from a Pandemic.”
More from this series
Queers in Love at the End of the WorldPrompt #34—CJ Scruton
WORKBOOK FOR CHANGE: TWO PROMPTSPrompt #33—Kate Schapira
Preparation for the PromptPrompt #32—Lisa Fishman
Collage Your Own Writing PromptPrompt #31—Helen Hofling
Prepared StatementPrompt #30—Mike Hauser
Repeat Repeat WritePrompt #29— Lewis Freedman
Poetic CorrespondencePrompt #28—Eric Baus
EKPHRASIS YOURSELFPrompt #27—Jennifer Nelson
POETRY IS FOR THE PEOPLEPrompt #26—Angela Trudell Vasquez
MAIL ARTPrompt #25—Siwar Masannat
VISUAL POSTCARDSPrompt #24—Portia Cobb
A [LONGER-TERM] DEEP LISTENING PROMPTPrompt #23—Jibade-Khalil Huffman
Humor as Medicine for the SoulPrompt #22—Mauricio Kilwein Guevara
Personification: A Social Justice PromptPrompt #21—Derrick Harriell
Ponge ExercisePrompt #20—Tyrone Williams
Occult DocupoesisPrompt #19—Kimberly Alidio
Junk Drawer SongPrompt #18—Hoa Nguyen
TALK TO THE POETSPrompt #17—Stacy Szymaszek
Make-Do Origin Stories & Concrete FuturesPrompt #16—Ching-In Chen
The Family PhotographPrompt #15—Rosa Alcalá
Writing Advice for Your Younger SelfPrompt #14—E.J. Koh
Note(s) to SelfPrompt #13—Stacy Blint
Embracing ConfusionPrompt #12—Bryon Cherry
Writing/Playing the ArchivePrompt #11—Jay Besemer
CAPTURED & FREEDPrompt #10—Dasha Kelly Hamilton
Poetic Exit StrategiesPrompt #9—Ana Božičević
Proyecto ConbífPrompt #8—Erick "CK" Ledesma
TRILOGYPrompt #6—CA Conrad
Utopian CompromisePrompt #7—Paul Druecke
A Series of RoomsPrompt #5—Laura Solomon
Two Variations on N+7Prompt #4—Jenny Gropp
T H E A P A R T / TOGETHERPOEMPrompt #3—Margaret Rozga
An Exercise in WindowsPrompt #2—Marla Sanvick
Erasuring AnxietyPrompt #1—Peter Burzynski
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