You Don't Need Proust to Smell Good
Prompts Against Anxiety #37 | from Elizabeth Hoover, a poet and essayist based in Milwaukee.
Photo by Marla Sanvick
Long before the pandemic, I developed screen fatigue. I won’t stare at a glowing device unless I absolutely have to for work. At first that meant I fell out of touch with friends; I left emails unanswered or drifted away during group Zooms. But then I stopped using tech to stay in touch and started exchanging letters. I love selecting the perfect card and slipping copied-out poems, stickers, or bookmarks to fill out the envelope. It feels more intimate to power down and curl up with a letter. I like to take my time opening the missive so I can appreciate the sound of paper ripping, and unfolding a card dimly resembles the experience of touch—hugging or shaking hands before we start to speak. But something is still missing, some aspect of presence is still absent.
The other day I received a postcard from a friend who blends her own perfumes, choosing which oils to employ based on her mood. I instinctually lifted the postcard to my face, but—alas—it only smelled like paper. (Yes, I know, keep things away from your face!) When Judith Butler describes being undone by another, they write “we are undone in the face of the other, by the touch, by the scent, by the feel, by the prospect of the touch, by the memory of the feel” (emphasis mine). I realize I miss certain smells: my friend’s wild (and sometimes unsuccessful) perfumes, the mustiness of a used book store, the sweet yeasty steam at the bakery, the almost nauseating burnt pungency of my local coffee shop.We all know how closely scent and memory are intertwined—how vibrant memories are when conjured by smell. (I still retch at the reek of bleach because it takes me back to a particularly disgusting task I did as a bartender. . . .) Despite this vibrancy, I find smell to be the most difficult sense to describe. Perhaps this is because it tends toward synesthesia. We smell in colors, according to some scientists, and taste and smell are almost twins. So whenever we try to describe a smell, we often reach for words that are usually attached to sight, taste, or even sound. Smell is the weakest sense, but it can be strengthened like a muscle, according to some experts. The key is to pay attention, noting all the aromas around you.
Here is a prompt to help access an untapped collection of language by focusing on smell.
Step 1: Gather sources of scents throughout your home. Riffle for the under-used spices, crush a leaf from a houseplant, grab a bottle of some product you rarely use in your medicine cabinet, reach into the bottom corner of your sweater bin, etc. Try for at least five objects.
Step 2: Arrange these objects in front of you on a table or the floor and close your eyes.
Step 3: Pick up one at random and breathe in its smell.
Step 4: Open your eyes (or don’t) and list as many words as you can in 5 minutes. Try to write the entire time. A timer could be helpful here.
Step 5: Repeat.
Step 6: Craft a poem or a piece of writing from the lists of words or just use this as an exercise to “sharpen” your description skills.
More from this series
Real FoodPrompt #38—Joan Kane
You Don't Need Proust to Smell GoodPrompt #37—Elizabeth Hoover
Find Your Own FormPrompt #36—Sawako Nakayasu
Tarot Recall: A Visionary Exercise for the PresentPrompt #35—Laurence Ross
Queers in Love at the End of the WorldPrompt #34—CJ Scruton
WORKBOOK FOR CHANGE: TWO PROMPTSPrompt #33—Kate Schapira
Preparation for the PromptPrompt #32—Lisa Fishman
Collage Your Own Writing PromptPrompt #31—Helen Hofling
Prepared StatementPrompt #30—Mike Hauser
Repeat Repeat WritePrompt #29— Lewis Freedman
Poetic CorrespondencePrompt #28—Eric Baus
EKPHRASIS YOURSELFPrompt #27—Jennifer Nelson
POETRY IS FOR THE PEOPLEPrompt #26—Angela Trudell Vasquez
MAIL ARTPrompt #25—Siwar Masannat
VISUAL POSTCARDSPrompt #24—Portia Cobb
A [LONGER-TERM] DEEP LISTENING PROMPTPrompt #23—Jibade-Khalil Huffman
Humor as Medicine for the SoulPrompt #22—Mauricio Kilwein Guevara
Personification: A Social Justice PromptPrompt #21—Derrick Harriell
Ponge ExercisePrompt #20—Tyrone Williams
Occult DocupoesisPrompt #19—Kimberly Alidio
Junk Drawer SongPrompt #18—Hoa Nguyen
TALK TO THE POETSPrompt #17—Stacy Szymaszek
Make-Do Origin Stories & Concrete FuturesPrompt #16—Ching-In Chen
The Family PhotographPrompt #15—Rosa Alcalá
Writing Advice for Your Younger SelfPrompt #14—E.J. Koh
Note(s) to SelfPrompt #13—Stacy Blint
Embracing ConfusionPrompt #12—Bryon Cherry
Writing/Playing the ArchivePrompt #11—Jay Besemer
CAPTURED & FREEDPrompt #10—Dasha Kelly Hamilton
Poetic Exit StrategiesPrompt #9—Ana Božičević
Proyecto ConbífPrompt #8—Erick "CK" Ledesma
TRILOGYPrompt #6—CA Conrad
Utopian CompromisePrompt #7—Paul Druecke
A Series of RoomsPrompt #5—Laura Solomon
Two Variations on N+7Prompt #4—Jenny Gropp
T H E A P A R T / TOGETHERPOEMPrompt #3—Margaret Rozga
An Exercise in WindowsPrompt #2—Marla Sanvick
Erasuring AnxietyPrompt #1—Peter Burzynski
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