Mi Kyung Choi, 2015
. . . I would see over again that words can not only heal previous generations, they can reverse the trajectory of damage into future generations. Forgiveness is a word that sparked the bodies of the living and the dead—a word that changed damage across time—in my past, present, and future. To listen rather than speak or never burden and only let go. I promised to write toward love.
[. . .]
I recalled my work in critique, which practices reading with suspicion, and I noticed its damage. I wanted to read as I lived, and that was gently. Instead of me reading the book, the book was allowing itself to be read by me. Reading a book, do not seek to be a force acting upon it. Let the book be a force acting upon you. This is how books are loved.
I loved books again instead of trying to save them. I no longer asked them to be enough for me. I spirited myself toward a new possibility. If critique is a knife, it must gently pare back the rind to reveal a thing both beautiful and alive. To see harm done is no great skill. To experience light where unseen is.
–E.J. Koh, from "Writing Advice for My Younger Self"
Referring to my essay, "Writing Advice for My Younger Self," start by writing a letter to your younger self at the age that comes to mind. Welcome them as you would welcome a beloved guest. They might ask you questions, and a long dialogue may occur. Then make room for change. You might use sections as I have done in the essay. I would try not to limit the exercise to a certain form or look for an answer. Go on gently and kindly. Let the writing happen on its own as a result of taking this moment to be with your younger self, who has traveled a vast distance over the span of human history to be with you.
More from this series
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Write in NaturePrompt #39—Oogie Push
Real FoodPrompt #38—Joan Kane
You Don't Need Proust to Smell GoodPrompt #37—Elizabeth Hoover
Find Your Own FormPrompt #36—Sawako Nakayasu
Tarot Recall: A Visionary Exercise for the PresentPrompt #35—Laurence Ross
Queers in Love at the End of the WorldPrompt #34—CJ Scruton
WORKBOOK FOR CHANGE: TWO PROMPTSPrompt #33—Kate Schapira
Preparation for the PromptPrompt #32—Lisa Fishman
Collage Your Own Writing PromptPrompt #31—Helen Hofling
Prepared StatementPrompt #30—Mike Hauser
Repeat Repeat WritePrompt #29— Lewis Freedman
Poetic CorrespondencePrompt #28—Eric Baus
EKPHRASIS YOURSELFPrompt #27—Jennifer Nelson
POETRY IS FOR THE PEOPLEPrompt #26—Angela Trudell Vasquez
MAIL ARTPrompt #25—Siwar Masannat
VISUAL POSTCARDSPrompt #24—Portia Cobb
A [LONGER-TERM] DEEP LISTENING PROMPTPrompt #23—Jibade-Khalil Huffman
Humor as Medicine for the SoulPrompt #22—Mauricio Kilwein Guevara
Personification: A Social Justice PromptPrompt #21—Derrick Harriell
Ponge ExercisePrompt #20—Tyrone Williams
Occult DocupoesisPrompt #19—Kimberly Alidio
Junk Drawer SongPrompt #18—Hoa Nguyen
TALK TO THE POETSPrompt #17—Stacy Szymaszek
Make-Do Origin Stories & Concrete FuturesPrompt #16—Ching-In Chen
The Family PhotographPrompt #15—Rosa Alcalá
Writing Advice for Your Younger SelfPrompt #14—E.J. Koh
Note(s) to SelfPrompt #13—Stacy Blint
Embracing ConfusionPrompt #12—Bryon Cherry
Writing/Playing the ArchivePrompt #11—Jay Besemer
CAPTURED & FREEDPrompt #10—Dasha Kelly Hamilton
Poetic Exit StrategiesPrompt #9—Ana Božičević
Proyecto ConbífPrompt #8—Erick "CK" Ledesma
TRILOGYPrompt #6—CA Conrad
Utopian CompromisePrompt #7—Paul Druecke
A Series of RoomsPrompt #5—Laura Solomon
Two Variations on N+7Prompt #4—Jenny Gropp
T H E A P A R T / TOGETHERPOEMPrompt #3—Margaret Rozga
An Exercise in WindowsPrompt #2—Marla Sanvick
Erasuring AnxietyPrompt #1—Peter Burzynski
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